Chapter 4: The Signature Beneath the Wings
For several seconds, I couldn't move.
The tiny silver emblem beneath the left wing of my gown seemed to glow under the workroom lights.
*SOLE CREATOR: CAMILLE.*
My name.
Not my mother's.
Mine.
I touched the embroidery with my fingertips, searching for some explanation that would make sense of what I was seeing.
“Eleanor,” I whispered into the phone.
“What does this mean?””
The woman on the other end sighed.
“It means your mother planned for this day long before you understood what she was preparing you for.””
“But the original design was hers.””
“Yes. She created the first version of the Night Bat silhouette. However, the emblem you're describing belongs to a separate design registration.””
I glanced at the gown.
“Why would my name be on it?””
“Because your mother redesigned the collection around you. She wanted to pass the intellectual property into your ownership when you became an adult.””
I looked at my father.
He was standing near the window, his face pale.
“You knew about this?”” I asked.
He didn't answer immediately.
Eleanor continued.
“Your mother established a trust that would transfer the collection's rights to you at twenty-five. The original documents are held in a sealed archive. Vanessa has been trying to access them for years.””
“Then why hasn't she?””
“Because she isn't the beneficiary.””
I looked at the brass key.
“Can you help me open the archive?””
“Yes. But there's a complication.””
Of course there was.
“Vanessa filed an emergency application this morning claiming the Night Bat Collection was developed by Bellamy House. She's attempting to prevent you from displaying anything connected to it.””
“Can she do that?””
“She can try. But she cannot erase your mother's registrations simply by filing paperwork.””
I gripped the phone.
“Then what do I do?””
“Bring the gown to the Bellamy showroom tomorrow. I will bring the original trust documents.””
My father stepped forward.
“Eleanor, this is dangerous.””
Her voice sharpened.
“Richard, you had twenty years to protect your daughter. I suggest you don't waste another day.””
Silence followed.
Then she added something that made my stomach tighten.
“Camille, there is another reason Vanessa wants that dress destroyed. The original Night Bat Collection wasn't just a fashion project. It was the centerpiece of a partnership with an international luxury house. Your mother rejected their final offer because she discovered that someone had been falsifying the company's financial records.””
I looked at my father.
“Who?””
Eleanor didn't answer directly.
“Tomorrow, you'll understand.””
The call ended.
For a moment, the workroom was completely silent.
Then Adrian approached me.
“We need to prepare.””
I nodded.
My father sat down heavily.
“Camille, I owe you an apology.””
I turned toward him.
“You owe me more than one.””
“I know.””
“You let Vanessa take over Mom's company. You let Brielle claim my designs. You signed documents without asking me. And last night, you watched them destroy my wedding dress while I was on the floor.””
He lowered his head.
“I was afraid.””
I laughed bitterly.
“Of Vanessa?””
“Of losing everything.””
I looked at him.
“You already lost something. You lost your daughter.””
His eyes filled with tears.
He reached toward me, but I stepped away.
“Don't ask me to forgive you today.””
“I won't.””
“Good.””
I returned to the mannequin.
There was still work to do.
The gown needed its final fitting, and I needed a model who could carry the enormous wings without making them look like theatrical props.
Adrian checked his phone.
“I know someone.””
“Who?””
“Serena Vale.””
I stopped.
Serena was one of the most respected runway models in New York. She had walked for major European houses and had a reputation for refusing projects that treated models like disposable accessories.
“She won't work for free,” I said.
“She won't need to.””
Adrian showed me his screen.
Serena had just posted a photograph from a fashion event.
Beneath it was a short caption:
Waiting for someone brave enough to make something different.
I stared at it.
Then I typed.
*CAMILLE: I have a dress that might interest you. It's black, purple, and impossible to ignore.*
Her response arrived less than a minute later.
*SERENA: Send me a picture.*
I photographed the gown.
Five minutes passed.
Then my phone rang.
“Camille Bellamy?””
“Yes.””
“This is Serena. I need to see that dress.””
“When?””
“Tonight.””
She paused.
“And one more thing. Is it yours?””
I looked at the silver emblem beneath the wing.
“Yes.””
“Then I'll wear it.””
At 7:30 p.m., Serena arrived at the studio.
She wore a simple black coat, dark trousers, and no jewelry.
Her eyes went immediately to the gown.
“Oh.””
That was all she said.
She approached the mannequin slowly.
Her fingers hovered above the purple tulle.
“Who constructed the wings?””
“I did.””
“Without a production team?””
“Just me.””
Serena stepped behind the mannequin.
She examined the internal framework, the feather placement, and the silver stitching.
Then she turned toward me.
“You understand movement.””
“I've been designing clothes since I was a child.””
“No,” she said.
“I mean you understand how fabric behaves when a woman walks. Most designers create something beautiful from the front and forget the person wearing it.””
She lifted the edge of the skirt.
“This will move beautifully.””
I felt my shoulders relax for the first time that day.
“Thank you.””
Serena studied the bodice again.
“What's the story behind it?””
I hesitated.
Then I told her.
I told her about Brielle.
About Vanessa.
About the destroyed wedding gown.
About my mother and the hidden collection.
I didn't leave out the ugly parts.
When I finished, Serena was silent.
Then she removed her coat.
“Let's fit it.””
The fitting took nearly an hour.
We adjusted the shoulder structure, shortened the inner lining, and reinforced the wing joints.
Serena insisted on walking across the room several times.
Each time she turned, the feathers opened like the wings of a giant bat.
The purple tulle followed behind her in a slow, dramatic wave.
Adrian watched from the doorway.
“That's incredible.””
Serena stopped in front of the mirror.
“Camille, there's one problem.””
My stomach dropped.
“What?””
She turned.
“This dress is too powerful to be introduced quietly.””
I smiled.
“I wasn't planning to.””
She laughed.
“Good.””
Then her expression became serious.
“Tomorrow, when I walk out, don't let anyone convince you to apologize for this.””
I nodded.
“I won't.””
My phone vibrated.
A message from Brielle.
*BRIELLE: Heard you're planning to embarrass yourself at tomorrow's presentation. Cute.*
Another message arrived.
*BRIELLE: Just so you know, my gown will be the centerpiece. Yours will never even make it through security.*
I showed Serena.
She read the messages.
Then she looked at the black-and-purple gown.
“Is she the one who destroyed your original dress?””
“Yes.””
Serena handed my phone back.
“Then I hope she gets a very good seat.””
At 9:15 p.m., Eleanor arrived.
She carried a leather briefcase and a thick folder secured with a red ribbon.
My father stood immediately.
“Eleanor.””
She ignored him and approached me.
“Camille, I brought something.””
She placed the folder on the cutting table.
Inside were original registration certificates, trust agreements, financial statements, and a photograph of my mother standing beside a young woman.
I recognized my mother immediately.
The other woman was Vanessa.
They were standing in front of the original Bellamy showroom.
Both were smiling.
On the back of the photograph was a handwritten note.
To the two women who started this dream.
I looked at Eleanor.
“What happened between them?””
Eleanor opened the financial documents.
“Your mother discovered that Vanessa had been transferring company funds into an offshore account. She confronted her. Vanessa claimed it was an investment strategy.””
“And was it?””
“No. The money was being used to acquire your mother's design rights through a shell company.””
My father looked away.
Eleanor placed another document on the table.
“This is the original partnership agreement. Your mother owned sixty percent of the creative company. Vanessa owned forty percent.””
I scanned the page.
Then I noticed a clause near the bottom.
“What's this?””
Eleanor leaned closer.
“The morality and authorship clause.””
She pointed to the paragraph.
“If either founder was found to have knowingly falsified design ownership, their rights could be suspended pending independent review.””
“Did that happen?””
“Yes.””
She removed another document.
It was a formal complaint filed by my mother.
The complaint named Vanessa as the person responsible for the falsified registrations.
But the final page was missing.
“Where's the rest?”” I asked.
Eleanor's expression darkened.
“That's what we're trying to recover from the archive.””
I looked toward my father.
“Why didn't you tell me any of this?””
He swallowed.
“Vanessa told me your mother had withdrawn the complaint. She said they had settled everything privately.””
“And you believed her?””
“I wanted to believe her.””
Eleanor closed the folder.
“Tomorrow's presentation may determine whether the collection can be legally recovered. But there is something else you should know.””
She looked directly at me.
“Brielle's showcase dress is based on Design 01.””
I stared at her.
“What?””
“Vanessa has been using your mother's original bat-wing silhouette in Brielle's new collection. She has modified the fabric and embellishments, but the construction is unmistakable.””
I looked at the gown.
The wings.
The curved shoulders.
The unusual back structure.
“She's presenting my mother's design as Brielle's?””
“Yes.””
I felt anger rising in my chest.
Eleanor placed one final photograph on the table.
It showed a white gown with an elaborate feathered back.
The original Night Bat design.
And underneath it was a handwritten label.
*DESIGNER: MARGARET BELLAMY.*
My mother's name.
I touched the photograph.
“Then tomorrow, we'll show everyone who created it.””
Eleanor nodded.
“That's the plan.””
But before she could say anything else, Adrian's phone rang.
He answered.
His expression changed almost immediately.
“What do you mean?””
He listened.
Then he looked at me.
“Camille, we have a problem.””
“What?””
“The venue has received an order to deny entry to anyone attempting to display an unregistered design.””
Eleanor's face hardened.
“Vanessa.””
Adrian shook his head.
“No. There's more.””
He put the call on speaker.
A man's voice came through.
“Mr. Hayes, this is security at Bellamy House. We've also received instructions to remove the model scheduled to wear the disputed gown.””
I looked at Serena.
She stood perfectly still.
Then she smiled.
“Tell them I'll be arriving through the main entrance.””
And suddenly, I understood.
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Tomorrow wasn't going to be a fashion presentation.
It was going to be a war.